Projection deisgn is like a Swiss Army Knife: a combination of assets that can present different solutions and enhance the theatrical story-telling process when brought together into a cohesive pairing. Video projections allow for the integration of digital artwork into the overall stage picture. Due to their flexibility, projections can bring a new dimension of emotion and movement to the visual frame.

My process starts with an in-depth analysis of the story. As all theatrical professionals know, this is a critical first step in understanding the enjoying the story we are about to share. Following the initial analysis, a conversation with the director is essential to understanding the role which the design will fulfill and accomplish. Since digital visuals can be compelling, it is crucial to have a solid foundation and guidelines on how and when the design will utilize projected media. I work closely with the team to craft the overall visual narrative, using the appropriate historical imagery, original artwork, photography, moving-image, video, and illustrations to compose the visual field that projections represent. Research, storyboarding, capture, procuring content, editing, and compositing are all a part of a solid and functional creation process. Once I arrive in the theatre, composing the visual elements' imagery, construction, and timings results in the design's outcome